1.0School of Interdisciplinary Arts & Sciences/iasrich600338<blockquote class="wp-embedded-content" data-secret="pxmSLUB57r"><a href="/ias/news/2017/09/25/the-big-sick">Alka Kurian publishes review of <em>The Big Sick</em></a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="/ias/news/2017/09/25/the-big-sick/embed#?secret=pxmSLUB57r" width="600" height="338" title="“Alka Kurian publishes review of <em>The Big Sick</em>” — School of Interdisciplinary Arts & Sciences" data-secret="pxmSLUB57r" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> IAS faculty member Alka Kurian published “The Big Sick is Bold, Pushes Boundaries" in the International Examiner (6 September 2017, p. 14). Kurian suggests that this Pakistani diasporic film that has every one talking represents a new turn in South Asian representation in mainstream Hollywood film.