{"id":30301,"date":"2024-01-26T12:41:14","date_gmt":"2024-01-26T20:41:14","guid":{"rendered":"https:\/\/www.uwb.edu\/news\/?p=30301"},"modified":"2024-01-26T12:53:46","modified_gmt":"2024-01-26T20:53:46","slug":"senior-artist-in-residence-celebrates-hybridity-in-major-solo-show","status":"publish","type":"post","link":"https:\/\/www.uwb.edu\/news\/2024\/01\/26\/senior-artist-in-residence-celebrates-hybridity-in-major-solo-show","title":{"rendered":"Senior artist-in-residence celebrates hybridity in major solo show\u00a0"},"content":{"rendered":"\n

Performance art requires a specific time and place. It\u2019s an event, in and of itself. And each performance is a one-of-a-kind experience. <\/p>\n\n\n\n

This, says Anida Yoeu Ali<\/a>, senior artist-in-residence at the 56勛圖厙\u2019s School of Interdisciplinary Arts & Sciences<\/a>, is part of what makes performance art special. <\/p>\n\n\n\n

\u201cPerformance art can happen anywhere, anytime, by anybody,\u201d she added. \u201cYou don\u2019t need permission to do performance art. That\u2019s what I love about it.\u201d <\/p>\n\n\n\n

In her first solo exhibit at the Seattle Asian Art Museum, \u201cHybrid Skin, Mythical Presence,\u201d Ali will be again presenting and performing two of her iconic works \u2014 \u201cThe Buddhist Bug\u201d and \u201cThe Red Chador.\u201d Together, these two pieces represent 14 years of the Tacoma-based artist\u2019s career. <\/p>\n\n\n\n

\u201cSAM is thrilled to be working with Ali on this exhibition, which marks her SAM debut and the first solo show of a Cambodian American artist in SAM\u2019s history,\u201d said Jos\u00e9 Carlos Diaz, curator of the exhibit, in a press release. \u201cIt\u2019s also the Seattle Asian Art Museum\u2019s first solo show for an artist since the museum reopened in 2020. It\u2019s very exciting that these important firsts for the museum center on such dynamic and compelling work that tackles such relevant themes including the hybrid nature of identity.\u201d <\/p>\n\n\n\n

Finding her voice<\/strong> <\/h2>\n\n\n\n

In her latest exhibition, Ali explores her hybrid transnational identities, a recurring theme throughout much of her work.\u202fA first-generation Muslim Khmer woman, Ali was born in Cambodia and later raised in Chicago after her family was displaced by the Cambodian Genocide that occurred under the rule of the Khmer Rouge from 1975 to 1979. <\/p>\n\n\n\n

\"A
Photo credit: Shin Yu Pai.<\/figcaption><\/figure>\n\n\n\n

Although Ali now uses her work as a platform for social and political activism, she said it wasn\u2019t until college, where she learned about Asian American history, that she found her voice. \u201cAligning myself to that history and that knowledge helped me to break out of my shell,\u201d she said. <\/p>\n\n\n\n

Her first foray into performing happened when she began writing poems to read aloud. <\/p>\n\n\n\n

\u201cBecause people gave me so much love and adoration, and really vibed with the things I said, it gave me the courage to keep going up on stage \u2014 and that\u2019s what really did it for me,\u201d she said. \u201cThat spark grew from there, and I began bridging the visual and the performing arts.\u201d <\/p>\n\n\n\n

Ali received her BFA in Graphic Design from the University of Illinois Urbana-Champaign and an MFA in Performance from the School of the Art Institute of Chicago. <\/p>\n\n\n\n

Equipped with a new medium and a means to explore her identity and her voice, Ali returned to Cambodia as a Fulbright scholar in 2011. During her residency in Phnom Penh, Cambodia, \u201cThe Buddhist Bug\u201d \u2014 a work in which Ali dons the body of a 100-meter saffron-colored creature \u2014 was born out of her investigation into displacement and identity within her own personal experience and those around her. <\/p>\n\n\n\n

Near the end of her residency in 2015, Ali said she then birthed \u201cThe Red Chador.\u201d\u00a0<\/p>\n\n\n\n

\"Several
Exhibition view of “Anida Yoeu Ali: Hybrid Skin, Mythical Presence” on view at Seattle Asian Art Museum. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Reimagining otherness<\/strong> <\/h2>\n\n\n\n

In \u201cThe Red Chador<\/a>,\u201d Ali reimagines the garment known as a chador (a dark, full-body cloak worn by some Muslim women) as a red sequined gown \u2014 a debutante dress for the Orthodox Muslim woman, she said. <\/p>\n\n\n\n

She uses this work to explore themes of \u201cotherness\u201d and of Islamophobic fear and perceptions that Muslim women often face due to the hypervisibility of the garment as a symbol of their faith. <\/p>\n\n\n\n

In 2016, after Donald Trump was elected president, she recalls being filled with shock as she feared a ban on Muslims in the U.S. would soon become a reality. So she donned the garment and held a sign reading \u201cBan Me\u201d as she performed in various places around Seattle, including Pike Place Market. <\/p>\n\n\n\n

\u201cI did the only thing that I felt exemplified who I was,\u201d Ali said. <\/p>\n\n\n\n

She was overwhelmed by the audience response. \u201cSo many people came up to me crying and whispering, \u2018We stand with you.\u2019 They understood that it was a politicized moment and the gravity of what some of us were experiencing.\u201d <\/p>\n\n\n\n

While not all the reactions were positive, audience engagement is nevertheless integral to her work, Ali said. She recalls one moment that felt particularly impactful, when a woman wearing an IV drip in her backpack walked alongside her for as long as her health would allow, only a few blocks. The woman had made her own sign that read, \u201cNot on my watch,\u201d using a manila folder and a marker. <\/p>\n\n\n\n

\u201cAs a performance artist, part of the work is that you\u2019re putting your body out there with a sense of courage, honesty and authenticity,\u201d Ali said. \u201cI didn\u2019t expect such empathy or that people needed that cathartic moment. It was very powerful.\u201d\u00a0<\/p>\n\n\n\n

\"Several
Exhibition view of “Anida Yoeu Ali: Hybrid Skin, Mythical Presence” on view at Seattle Asian Art Museum. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Inspiring the next generation<\/strong> <\/h2>\n\n\n\n

As senior artist-in-residence at 56勛圖厙 Bothell, Ali enjoys teaching as another kind of performance and as yet another way to engage with and inspire others through art. <\/p>\n\n\n\n

\u201cI love influencing the next generation of creatives,\u201d Ali said. \u201cI find myself in a very inspiring and powerful position to instill passion, joy and a sense of accomplishment in my students when they create works they didn\u2019t imagine they could do in the beginning of the class.\u201d <\/p>\n\n\n\n

Senior Interdisciplinary Arts major Ezra Bantum said he loves Ali\u2019s work and her passion for creating art that inspires thought and change in the world. So when she asked him to be her student assistant, he jumped at the opportunity. <\/p>\n\n\n\n

\u201cAs an artist, what excites me the most about Professor Ali\u2019s work is its boldness in how it takes up space, both physically and culturally,\u201d he said. \u201cShe has a special way of pinpointing a pressure point within a culture, community and political atmosphere \u2014 and creating art that presses on that point in just the right way, where it challenges our perspectives and forces us to think.\u201d <\/p>\n\n\n\n

In the year-and-a-half that Bantum has worked with Ali as her assistant, he has learned a lot about himself as an artist and applied the experience to his own work. <\/p>\n\n\n\n

\u201cThe biggest thing I\u2019ve learned when working with Professor Ali has been, when you think you\u2019re done, you\u2019re probably at least five drafts or versions away from your best work,\u201d Bantum said. \u201cShe has taught me to push myself further, and I\u2019ve learned I\u2019m capable of more than I thought. <\/p>\n\n\n\n

\u201cLearning what art is and how it can be lived out in such a beautiful way through the life of Anida Yoeu Ali has been truly inspiring.\u201d <\/p>\n\n\n\n

\n

I love influencing the next generation of creatives. I find myself in a very inspiring and powerful position to instill passion, joy and a sense of accomplishment in my students when they create works they didn\u2019t imagine they could do in the beginning of the class. <\/p>\nAnida Yoeu Ali, senior artist-in-residence, School of Interdisciplinary Arts & Sciences<\/cite><\/blockquote>\n\n\n\n

Celebrating hybridity<\/strong> <\/h2>\n\n\n\n

\u201cHybrid Skin, Mythical Presence<\/a>\u201d is on exhibit at the Seattle Asian Art Museum through July 7, 2024. It includes video, photography and other installation pieces from previous performances in various site-specific locations. <\/p>\n\n\n\n

The local community also has two opportunities to experience Ali\u2019s live performances. <\/p>\n\n\n\n

On March 23, Ali will perform \u201cThe Buddhist Bug\u201d at the museum. On June 1, together with six participants, she will perform \u201cThe Red Chador: Afterlife\u201d on the streets of downtown Seattle, linking together the museum\u2019s three locations: the Seattle Art Museum, the Olympic Sculpture Park and the Seattle Asian Art Museum. <\/p>\n\n\n\n

\u201cI want people to know \u2014 whether it\u2019s audiences who will see themselves within this work or audiences who don\u2019t connect at all to the work \u2014 that somebody like me exists in this world. I think it\u2019s a powerful place to be in this position and to celebrate hybridity,\u201d Ali said. <\/p>\n\n\n\n

\u201cPeople aren\u2019t going to understand everything about my work, and I think what\u2019s so powerful about contemporary art is that it makes us ask more questions of what we\u2019re seeing and experiencing.\u201d\u00a0<\/p>\n\n\n\n

\"A
Exhibition view of “Anida Yoeu Ali: Hybrid Skin, Mythical Presence” on view at Seattle Asian Art Museum. Courtesy of the artist.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

56勛圖厙 Bothell senior artist-in-residence Anida Yoeu Ali\u2019s \u201cHybrid Skin, Mythical Presence\u201d marks the first solo show of a Cambodian American artist for Seattle Art Museum.<\/p>\n","protected":false},"author":121,"featured_media":30302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[202,1],"tags":[],"school":[419],"class_list":["post-30301","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-campus-news","category-uncategorized","school-school-of-ias"],"acf":[],"yoast_head":"\nSenior artist-in-residence celebrates hybridity in major solo show\u00a0 - News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.uwb.edu\/news\/2024\/01\/26\/senior-artist-in-residence-celebrates-hybridity-in-major-solo-show\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Senior artist-in-residence celebrates hybridity in major solo show\u00a0 - News\" \/>\n<meta property=\"og:description\" content=\"56勛圖厙 Bothell senior artist-in-residence Anida Yoeu Ali\u2019s \u201cHybrid Skin, Mythical Presence\u201d marks the first solo show of a Cambodian American artist for Seattle Art Museum.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.uwb.edu\/news\/2024\/01\/26\/senior-artist-in-residence-celebrates-hybridity-in-major-solo-show\" \/>\n<meta property=\"og:site_name\" content=\"News\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-26T20:41:14+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-26T20:53:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.uwb.edu\/news\/wp-content\/uploads\/sites\/4\/2024\/01\/04-Exhibition-BugRC-IMG_4385.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alyssa Gray\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alyssa Gray\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.uwb.edu\/news\/2024\/01\/26\/senior-artist-in-residence-celebrates-hybridity-in-major-solo-show\",\"url\":\"https:\/\/www.uwb.edu\/news\/2024\/01\/26\/senior-artist-in-residence-celebrates-hybridity-in-major-solo-show\",\"name\":\"Senior artist-in-residence celebrates hybridity in major solo show\u00a0 - News\",\"isPartOf\":{\"@id\":\"https:\/\/www.uwb.edu\/news\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.uwb.edu\/news\/2024\/01\/26\/senior-artist-in-residence-celebrates-hybridity-in-major-solo-show#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.uwb.edu\/news\/2024\/01\/26\/senior-artist-in-residence-celebrates-hybridity-in-major-solo-show#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.uwb.edu\/news\/wp-content\/uploads\/sites\/4\/2024\/01\/04-Exhibition-BugRC-IMG_4385.jpg\",\"datePublished\":\"2024-01-26T20:41:14+00:00\",\"dateModified\":\"2024-01-26T20:53:46+00:00\",\"author\":{\"@id\":\"https:\/\/www.uwb.edu\/news\/#\/schema\/person\/88525876e3f59f1904acfa891d74ec5d\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.uwb.edu\/news\/2024\/01\/26\/senior-artist-in-residence-celebrates-hybridity-in-major-solo-show#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.uwb.edu\/news\/2024\/01\/26\/senior-artist-in-residence-celebrates-hybridity-in-major-solo-show\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.uwb.edu\/news\/2024\/01\/26\/senior-artist-in-residence-celebrates-hybridity-in-major-solo-show#primaryimage\",\"url\":\"https:\/\/www.uwb.edu\/news\/wp-content\/uploads\/sites\/4\/2024\/01\/04-Exhibition-BugRC-IMG_4385.jpg\",\"contentUrl\":\"https:\/\/www.uwb.edu\/news\/wp-content\/uploads\/sites\/4\/2024\/01\/04-Exhibition-BugRC-IMG_4385.jpg\",\"width\":2000,\"height\":1500,\"caption\":\"Exhibition view of \\\"Anida Yoeu Ali: Hybrid Skin, Mythical Presence\\\" on view at Seattle Asian Art Museum. 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